Some People Are Without Guitar (pamphlet), designed by Tanya Rubbak, The Library of Sacred Technologies, 2011 “What Do You Do” in 03 LIMITS broadside edition, Allotrope Press, Belfast, 2011 From JBAD, Lessons Learned (a Cahier series book), Les Figues Press, 2009 excerpts from Selma, in Thirty Under Thirty edited by Lily Hoang and Blake Butler, Starcherone Books, 2011 APT: Art Performance Text in Imaginary Syllabi, edited by Jane Sprague, Palm Press, 2011 [forthcoming chapbook] Models for a Building Block, P S books, 2011 [forthcoming] The Way of Progress in [out of nothing], Edition #0, 2011 Residual-Bonus in the casebok series, Valeveil, 2010 SEPT 07 in The Daybook Project, organized by David P. Earle, Printed Matter, New York, 2010 I’m Responsible in Manana por la Manana, designed by Tanya Rubbak, Printed Matter, New York, 2010 Bibliography in Chronometry 2008 What does WAR stand for?, in GLARE Quarterly 2008 [VIEW] No. II, III, V, (excerpts from manuscript Selma,) in Poetry Sz, New Zealand, 2007 Chen Xiaoyun at MC Gallery in Afterall Online, Los Angeles, 2007 Art Talk in Next Words, 2007 Reflections by Danielle Adair on the CalArts Mafia in It Was the Blurst of Times, Commerce Street Warehouse, Houston, TX 2006 [VIEW] The Haver in TrenchArt: Parapets, Les Figues Press 2007 Critique in How To Do Things With Words, The Cube Gallery, CalArts, 2006 [VIEW] |
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