And I Think I Like It., Edition Solitude, 2015, ed. of 250.


On the Rocks, In the Land (artist zine), featuring interview with curator/director Ciara Ennis and artist Danielle Adair, Pitzer College Art Galleries, 2014, ed. of 100.


#15 Los Angeles in the Solitude Atlas, Akademie Schloss Solitude, 2015


artwork for RoToR #13 – Encounters, online zine edited by Esther Salmona, Sarah Tritz, and Anne Kawala, Paris, 2014


I Can Feel Your Teeth, featured in It’s My Decision, Flying Object, USA, 2014


Vanesa Place and Danielle Adair in Public Access #5, a publication by Nicholas Grider, 2013


The Way of Progress in [out of nothing], Edition #0, 2012


Don’t Think Once Again on KChung Radio, for Perform Now! Chinatown, Los Angeles (July 21, 2012)


excerpts from Selma, in Thirty Under Thirty edited by Lily Hoang and Blake Butler, Starcherone Books, 2011


APT: Art Performance Text in Imaginary Syllabi, edited by Jane Sprague, Palm Press, 2011


Some People Are Without Guitar (pamphlet), designed by Tanya Rubbak, The Library of Sacred Technologies, 2011


What Do You Do in 03 LIMITS broadside edition, Allotrope Press, Belfast, 2011


From JBAD, Lessons Learned (a Cahier series book), Les Figues Press, 2009
part of the project FIRST ASSIGNMENT


Residual-Bonus in the casebok series, Valeveil, 2010


SEPT 07 in The Daybook Project, organized by David P. Earle, Printed Matter, New York, 2010


I’m Responsible in Manana por la Manana, designed by Tanya Rubbak, Printed Matter, New York, 2010


Bibliography in Chronometry 2008


What does WAR stand for?, in GLARE Quarterly 2008


No. II, III, V, (excerpts from manuscript Selma,) in Poetry Sz, New Zealand, 2007


Chen Xiaoyun at MC Gallery in Afterall Online, Los Angeles, 2007


Art Talk in Next Words, 2007


Reflections by Danielle Adair on the CalArts Mafia in It Was the Blurst of Times, Commerce Street Warehouse, Houston, TX 2006


Haver in TrenchArt: Parapet, Les Figues Press, 2007