Caution, bomb, 2019, hand-numbered ed. of 50. And I Think I Like It., Edition Solitude, 2015, ed. of 250. #15 Los Angeles in the Solitude Atlas, Akademie Schloss Solitude, 2015 I Can Feel Your Teeth, featured in It’s My Decision, Flying Object, USA, 2014 Vanesa Place and Danielle Adair in Public Access #5, a publication by Nicholas Grider, 2013 The Way of Progress in [out of nothing], Edition #0, 2012 Don’t Think Once Again on KChung Radio, for Perform Now! Chinatown, Los Angeles (July 21, 2012) excerpts from Selma, in Thirty Under Thirty edited by Lily Hoang and Blake Butler, Starcherone Books, 2011 APT: Art Performance Text in Imaginary Syllabi, edited by Jane Sprague, Palm Press, 2011 Some People Are Without Guitar (pamphlet), designed by Tanya Rubbak, The Library of Sacred Technologies, 2011 What Do You Do in 03 LIMITS broadside edition, Allotrope Press, Belfast, 2011 From JBAD, Lessons Learned (a Cahier series book), Les Figues Press, 2009 Residual-Bonus in the casebok series, Valeveil, 2010 SEPT 07 in The Daybook Project, organized by David P. Earle, Printed Matter, New York, 2010 I’m Responsible in Manana por la Manana, designed by Tanya Rubbak, Printed Matter, New York, 2010 Bibliography in Chronometry 2008 What does WAR stand for?, in GLARE Quarterly 2008 No. II, III, V, (excerpts from manuscript Selma,) in Poetry Sz, New Zealand, 2007 Chen Xiaoyun at MC Gallery in Afterall Online, Los Angeles, 2007 Art Talk in Next Words, 2007 Reflections by Danielle Adair on the CalArts Mafia in It Was the Blurst of Times, Commerce Street Warehouse, Houston, TX 2006 Haver in TrenchArt: Parapet, Les Figues Press, 2007 |
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